After the visit and stage
performance of Nigeria’s Davido in Douala, Cameroun, there has been a lot of
hype about the ‘recognisability’ of Cameroonian showbiz artists to the outside
world in general and most especially in Nigeria which is the closest neighbor of
our country. Why is there so much concern about Nigeria and their recognition of
Cameroonian artists and or music? Of course, this is because of the recent onslaught of
Nigerian music into the Cameroonian market, nightclubs, snacks and local pubs
from the onset of the 2000s.
At times, it appears as though we in
Cameroon consume more of Nigerian music than we do our own. In fact, this
statement isn’t wholly untrue. It is not uncommon to visit a Cameroonian club
and here the DJs mix Nigerian jams the whole night. Sadly, I often ask myself
where are all the talented Anglophone guys making an effort to write our name
on the hip-hop map of Africa and the world? Apart from the already big Anglophone
names in the 237 showbiz known worldwide like Jovi, Mr. Leo, Magasco, Daphne, Pascal, Reniss,
Blanche Bailey, Tilla, Stanley Enow, MD Lyonga and others, it will appear
that most of the other talented Anglophone showbiz actors aren’t given enough
exposure as they should. There is no denying the fact that there are just so
many young talented Anglophone guys who deserve a spot in the lime light of the
237 showbiz stage. Unfortunately, it is clear that these young guys ain’t got
enough connections to get there shit appreciated within the national territory and
beyond.
It’s a shame that the corruption of
the nation, the “bad belle”, backbiting, backstabbing of Anglophones against Anglophones
has eaten deep into the fabrics of the very young and tender Anglophone 237
showbiz arena. Quarrels and beefs erupt on a daily basis between artists and
artists, artists and producers, artists and companies, artists and bloggers
etc. in my opinion; we are still too young to invest our time into squabbles of
this nature.
Rather, artists must dedicate their time in making hit bangers and
mind blowing singles as well as collaborating with each other. Producers must
search for talent and make sure they are ready to support and make them grow
rather scamper off when they make a little profit. Bloggers and content
developers must be given the chance to contribute their own quota to game if we
want to take over the showbiz territory of Cameroon or even venture into other African
countries.
As earlier intimated, Anglophone Cameroon
showbiz scenario can boast of so many talents. Albeit, these talents are still
100% untapped. The towns of Buea and Bamenda are flooded with enormous talents
in youngsters looking for a means to explode. We all sure will agree that these
guys need just the right exposure for this to happen. In addition, we as Anglophone
Cameroonians must be ready to accept and consume the showbiz culture of Africa
in general and that of Cameroon in particular. If this is done, then, there is
a good chance for us to move ahead. Lest I forget, Anglophone Cameroonians
should get off their high horses and settle down to constructive or descriptive
criticism. Standing out from the periphery destructively criticize when you can’t
even open a link sent to you, like a song sent to you, like a simple Facebook
Page not because you don’t find anything interesting there on but simply because
it’s from someone you know from the neighborhood or someone whom you under look
is a canker worm that should be crushed from our mentality if we are to move
ahead.
To the actors in the Anglophone showbiz
arena of 237, your duty is not only to showcase your talents through good music
and all. Music artists, models, designers, talent search agencies, bloggers and
social media content creators must be able to propagate a culture of unity, self-respect
and respect for the hustle of each other. In any given social related
enterprise of the world, there must be beefs, disses and fights but these
should not overshadow the goal we all have in mind: that of pushing our
culture, music, art etc forward. Gone are the days of gang bangers like 2 Pac,
Biggie Smalls, Big Pun, 50 Cent, and the rest. Now, all they want is to make
that money and this can only be done if we can count and hang on each other.
This is the 21st century
and we are in 2018, the world has changed and we as Anglophones must change
with it if we want to forge ahead in the trend of show business. We must change
our “bad belle” mentality. We must change from our tribal tendencies and recognize
quality and talent no matter where it comes from. Showbiz and urban culture is
all about business, culture and social relationships built around our
representation of who we are, what we do and what we are able to offer our
people and those from outside. This sad, our brothers and sisters in the game
must be ready to make each other grow because you cannot climb the ladder
alone. If you do, the day you fall, it will be a big and loud fall.
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